Italian school, 17th century. Follower of Anthony Van Dyck. Ecce Homo. Oil on canvas. It represents the decisive hours before the crucifixion of Christ, a scene in which, after being arrested and flogged, he will suffer mockery and beatings from his executioners. Painting made from Lucas Vorsterman's engraving after Anthony Van Dyck that is preserved in the Princeton University Art Museum. The inverted composition with respect to Van Dyck's original painting indicates that the artist used the engraving as a reference, although in this case only an executioner is represented before the figure of Christ. Relined. 126 x 92cm.
